This Floating Excrement Was Far Too Symbolic! It's the Television Disappointments of the Past Year.

Looking back, we reflect on the television landscape of the past year, a selection of shows emerge not for their brilliance, but for their spectacular shortcomings. From awkward sequels to confusingly poor documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. Briefly, as the third series began, it seemed as if it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this show's problems. The recipient of a very rare no-star review, it was hard to know where to begin listing the problems. The laughably wooden dialogue? The mind-numbing glorification of affluence and materialism? The almost deliberate procession of tropes? Acting so bad they felt borderline malicious? Let’s just say “each and every one” and never speak of this series again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be saved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were many other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Given the degree to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into twee homemaking as intentional statements. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this documentary series chose not to say them. Rather, the experience was akin to reading a marketing brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was trying way too hard to live up to something way beyond it.

Too Much

How does one follow a show that captured a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more examination of her true psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Richard Brooks
Richard Brooks

A seasoned game analyst with a passion for urban gaming subcultures and emerging technologies.